{"id":4709,"date":"2022-05-20T11:13:33","date_gmt":"2022-05-20T14:13:33","guid":{"rendered":"https:\/\/pranafilmes.fuerzastudio.com\/?p=4709"},"modified":"2022-05-20T11:26:16","modified_gmt":"2022-05-20T14:26:16","slug":"the-pink-cloud-sells-to-france-germany-japan-exclusive","status":"publish","type":"post","link":"https:\/\/www.pranafilmes.com.br\/en\/the-pink-cloud-sells-to-france-germany-japan-exclusive\/","title":{"rendered":"\u2018The Pink Cloud\u2019 Sells to France, Germany, Japan (EXCLUSIVE)"},"content":{"rendered":"\n<p>May 18, 2022 10:02pm PT<\/p>\n\n\n\n<p><strong>By&nbsp;<\/strong><a href=\"https:\/\/variety.com\/author\/john-hopewell\/\">John Hopewell<\/a><\/p>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"576\" src=\"https:\/\/www.pranafilmes.com.br\/wp-content\/uploads\/2021\/08\/A-Nuvem-Rosa-02-1024x576.jpg\" alt=\"\" class=\"wp-image-4269\" srcset=\"https:\/\/www.pranafilmes.com.br\/wp-content\/uploads\/2021\/08\/A-Nuvem-Rosa-02-1024x576.jpg 1024w, https:\/\/www.pranafilmes.com.br\/wp-content\/uploads\/2021\/08\/A-Nuvem-Rosa-02-300x169.jpg 300w, https:\/\/www.pranafilmes.com.br\/wp-content\/uploads\/2021\/08\/A-Nuvem-Rosa-02-768x432.jpg 768w, https:\/\/www.pranafilmes.com.br\/wp-content\/uploads\/2021\/08\/A-Nuvem-Rosa-02-1536x864.jpg 1536w, https:\/\/www.pranafilmes.com.br\/wp-content\/uploads\/2021\/08\/A-Nuvem-Rosa-02-2048x1152.jpg 2048w\" sizes=\"(max-width: 1024px) 100vw, 1024px\" \/><figcaption>CREDIT: MPM PREMIUM<\/figcaption><\/figure>\n\n\n\n<p>\u201cThe Pink Cloud,\u201d a feminist quarantine drama and flagship feature of Brazil\u2019s new generation of female filmmakers, has closed three more major territories for Paris-based&nbsp;<a href=\"https:\/\/variety.com\/t\/mpm-premium\/\">MPM Premium<\/a>, sealing licensing deals in France (Universcin\u00e9), Japan (Senlis) and Germany (Lighthouse).&nbsp;<\/p>\n\n\n\n<p>With MPM Premium currently in discussion for the U.K., Australia and Latin America, the Paris-based sales company is edging ever closer to selling out on all major territories around the world.<\/p>\n\n\n\n<p>Territories already secured include Brazil (O2), North America (Blue Fox), Taiwan (Digi Sky Entertainment), China (Beijing Hugoeast), Korea (K Entertainment) and Russia (World Vision).<\/p>\n\n\n\n<p>Senlis will stage a theatrical release in 2023 for \u201cThe Pink Cloud.\u201d It has been dubbed and will be released in Germany and Austria) on July 22. France\u2019s Universcin\u00e9 (France) has launched the film as a premium VoD Release, with a specific promotion for what Universcin\u00e9 calls its \u201cexclusive\u201d titles.<\/p>\n\n\n\n<p>Also written by Gerbase, \u201cThe Pink Cloud\u201d displays two leading facets of Brazil\u2019s female new wave. One is the appropriation of genre, here a post-apocalypse thriller to tell a character-driven story, as protagonist Giovana is forced by the titular toxic cloud to live years of lockdown with Iago, whom she only met the night before the cloud\u2019s arrival.&nbsp;<\/p>\n\n\n\n<p>The other is a clear feminist voice seen as Giovana refuses to live the life society expects of her, ending her relationship with Iago, creating her own fantasy life and rebelling ever more against lockdown.<\/p>\n\n\n\n<p>Written in 2017 and shot in 2019 before COVID-19 hit, \u201cThe Pink Cloud\u201d has also been taken as a prescient take on the relationship dynamics of lockdown. The \u201cBrazilian chamber piece nails lockdown life with aching, accidental accuracy,\u201d&nbsp;<em>Variety&nbsp;<\/em>wrote in its upbeat review.&nbsp;<\/p>\n\n\n\n<p>\u201cThis film uses the fanciful motif of \u2018pink clouds,\u2019 but it is rich in&nbsp;suggestions for rethinking a reality that has completely changed and the emotions we face in the face of it.,\u201d said Senlis\u2019 Ayano Ikeda, who added: \u201cIt also make us think about the lives of the new generation after the pandemic. We believe that as another story of ourselves, it will touch the hearts of Japanese audiences.\u201d<\/p>\n\n\n\n<p>Notably, while many \u201cPink Cloud\u201d sales deals involve a theatrical element, VOD play is also significant in many.&nbsp;<\/p>\n\n\n\n<p>\u201cIn the context of diminishing theatrical admissions, and with the subject being so timely, we opted for this buzzy type of distribution with the press covering more and more exclusives,\u201d MPM Premium\u2019s Quentin Worthington said about the Universcin\u00e9 release.<\/p>\n\n\n\n<p>MPM Premium introduced \u201cThe Pink Cloud\u201d to the international market as a work-in-progress at 2020\u2019s Ventana Sur where it screened alongside two other notable titles from young female filmmakers in Brazil: Flavia Neves\u2019 \u201cFogar\u00e9u,\u201d a searing magic realist putdown of provincial Brazil; and Thais Fujinaga\u2019s \u201cThe Joy of Things,\u201d a probing portrait of pressured motherhood. Both played the market\u2019s main Primer Corte competition.&nbsp;<\/p>\n\n\n\n<p>A Berlinale 2022 Panorama player which was also picked up by MPM Premium, \u201cFogar\u00e9u\u201d will receive a physical market screening at Cannes on May 22. It will be made available 24 hours later as a Catch Up title online.<\/p>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"576\" src=\"https:\/\/www.pranafilmes.com.br\/wp-content\/uploads\/2021\/03\/A-Nuvem-Rosa-1024x576.jpg\" alt=\"\" class=\"wp-image-4090\" srcset=\"https:\/\/www.pranafilmes.com.br\/wp-content\/uploads\/2021\/03\/A-Nuvem-Rosa-1024x576.jpg 1024w, https:\/\/www.pranafilmes.com.br\/wp-content\/uploads\/2021\/03\/A-Nuvem-Rosa-300x169.jpg 300w, https:\/\/www.pranafilmes.com.br\/wp-content\/uploads\/2021\/03\/A-Nuvem-Rosa-768x432.jpg 768w, https:\/\/www.pranafilmes.com.br\/wp-content\/uploads\/2021\/03\/A-Nuvem-Rosa-1536x864.jpg 1536w, https:\/\/www.pranafilmes.com.br\/wp-content\/uploads\/2021\/03\/A-Nuvem-Rosa-2048x1152.jpg 2048w\" sizes=\"(max-width: 1024px) 100vw, 1024px\" \/><figcaption>The Pink Cloud<br>CREDIT: MPM PREMIUM<\/figcaption><\/figure>\n\n\n\n<p><strong>Variety. <\/strong><a href=\"https:\/\/variety.com\/2022\/global\/markets-festivals\/the-pink-cloud-mpm-premium-sales-1235269105\/\">https:\/\/variety.com\/2022\/global\/markets-festivals\/the-pink-cloud-mpm-premium-sales-1235269105\/<\/a><\/p>\n\n\n\n<p><\/p>\n","protected":false},"excerpt":{"rendered":"<p>May 18, 2022 10:02pm PT By&nbsp;John Hopewell \u201cThe Pink Cloud,\u201d a feminist quarantine drama and flagship feature of Brazil\u2019s new generation of female filmmakers, has closed three more major territories for Paris-based&nbsp;MPM Premium, sealing licensing deals in France (Universcin\u00e9), Japan (Senlis) and Germany (Lighthouse).&nbsp; With MPM Premium currently in discussion for the U.K., Australia and [&hellip;]<\/p>\n","protected":false},"author":7,"featured_media":4719,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[17],"tags":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v21.8 - 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