{"id":4539,"date":"2022-01-14T09:38:28","date_gmt":"2022-01-14T12:38:28","guid":{"rendered":"https:\/\/pranafilmes.fuerzastudio.com\/?p=4539"},"modified":"2022-01-14T09:38:29","modified_gmt":"2022-01-14T12:38:29","slug":"the-new-york-times-the-pink-cloud-review-love-in-lockdown","status":"publish","type":"post","link":"https:\/\/www.pranafilmes.com.br\/en\/the-new-york-times-the-pink-cloud-review-love-in-lockdown\/","title":{"rendered":"THE NEW YORK TIMES &#8211; \u2018The Pink Cloud\u2019 Review: Love in Lockdown"},"content":{"rendered":"\n<p id=\"article-summary\">Iuli Gerbase\u2019s first feature film reflects a funhouse-mirror image of our present lives.<\/p>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"683\" src=\"https:\/\/www.pranafilmes.com.br\/wp-content\/uploads\/2022\/01\/STILLS-A-Nuvem-Rosa-por-Elizabeth-Thiel-@elizabetando-6-1024x683.jpg\" alt=\"\" class=\"wp-image-4550\" srcset=\"https:\/\/www.pranafilmes.com.br\/wp-content\/uploads\/2022\/01\/STILLS-A-Nuvem-Rosa-por-Elizabeth-Thiel-@elizabetando-6-1024x683.jpg 1024w, https:\/\/www.pranafilmes.com.br\/wp-content\/uploads\/2022\/01\/STILLS-A-Nuvem-Rosa-por-Elizabeth-Thiel-@elizabetando-6-300x200.jpg 300w, https:\/\/www.pranafilmes.com.br\/wp-content\/uploads\/2022\/01\/STILLS-A-Nuvem-Rosa-por-Elizabeth-Thiel-@elizabetando-6-768x512.jpg 768w, https:\/\/www.pranafilmes.com.br\/wp-content\/uploads\/2022\/01\/STILLS-A-Nuvem-Rosa-por-Elizabeth-Thiel-@elizabetando-6-1536x1024.jpg 1536w, https:\/\/www.pranafilmes.com.br\/wp-content\/uploads\/2022\/01\/STILLS-A-Nuvem-Rosa-por-Elizabeth-Thiel-@elizabetando-6-2048x1365.jpg 2048w\" sizes=\"(max-width: 1024px) 100vw, 1024px\" \/><figcaption>Renata de L\u00e9lis in \u201cThe Pink Cloud.\u201d Blue Fox Entertainment<\/figcaption><\/figure>\n\n\n\n<p><strong>By&nbsp;Claire Shaffer<\/strong><br>Jan. 13, 2022,&nbsp;7:00 a.m. ET<\/p>\n\n\n\n<p>Stop me if you\u2019ve heard this one before: A deadly phenomenon has spread across the globe and forced all of civilization into an extended quarantine. Fights break out in grocery stores and online. Video chat becomes the center of human communication, playing host to everything from work meetings to birthday parties. Many people find that their partners and children are the only souls they\u2019ll keep company with for the next several months.<\/p>\n\n\n\n<figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube wp-embed-aspect-16-9 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\n<iframe loading=\"lazy\" title=\"The Pink Cloud- Official Trailer 12\/10\/2021\" width=\"1080\" height=\"608\" src=\"https:\/\/www.youtube.com\/embed\/9R_AAmzvJhA?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture\" allowfullscreen><\/iframe>\n<\/div><\/figure>\n\n\n\n<p>This is the premise for \u201cThe Pink Cloud,\u201d a Brazilian domestic drama with a helping of science fiction that, remarkably enough, was conceived of in 2017 and filmed in 2019. Directed by the newcomer Iuli Gerbase, it stars Renata de L\u00e9lis and Eduardo Mendon\u00e7a as two 30-somethings, Giovana and Yago, who have a one-night stand and wake up the next morning to find a mysterious pink cloud hanging over their city, killing anyone who breathes it for 10 seconds. The government orders a nationwide lockdown, and the two of them, alone together, are suddenly forced to reckon with a potential relationship.<\/p>\n\n\n\n<p>Like other works of prescient sci-fi, \u201cThe Pink Cloud\u201d forecasts an eerie funhouse-mirror image of our present lives. FaceTime becomes the main channel for social gatherings; citizens are issued government-provided care packages that feel insufficient; Giovana\u2019s friend, trapped alone in her home, experiences symptoms of depression and\u00a0<a href=\"https:\/\/www.nytimes.com\/2021\/04\/19\/well\/mind\/covid-mental-health-languishing.html\" target=\"_blank\" rel=\"noreferrer noopener\">languishing<\/a>.<\/p>\n\n\n\n<p>The film\u2019s pacing often matches that static sensation, to a frustrating degree. Even as the lockdown accelerates intimacy and conflict between the protagonists, their actions feel inconsequential compared with the greater world outside. \u201cThe Pink Cloud\u201d is at its most perceptive when it acknowledges this level of powerlessness, like when a hopeful conclusion to the disaster turns out to be a false alarm. Outside, the cloud floats along, with no dissipating end in sight.<\/p>\n\n\n\n<p><strong>The Pink Cloud<\/strong><br>Rated R for nudity, brief language and pandemic-related despondency. In Portuguese and English, with subtitles. Running time: 1 hour 45 minutes. In theaters.<\/p>\n\n\n\n<p><strong>Fonte:<\/strong> <a href=\"https:\/\/www.nytimes.com\/2022\/01\/13\/movies\/the-pink-cloud-review.html\" target=\"_blank\" rel=\"noreferrer noopener\">https:\/\/www.nytimes.com\/2022\/01\/13\/movies\/the-pink-cloud-review.html<\/a><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Iuli Gerbase\u2019s first feature film reflects a funhouse-mirror image of our present lives. By&nbsp;Claire ShafferJan. 13, 2022,&nbsp;7:00 a.m. ET Stop me if you\u2019ve heard this one before: A deadly phenomenon has spread across the globe and forced all of civilization into an extended quarantine. Fights break out in grocery stores and online. Video chat becomes [&hellip;]<\/p>\n","protected":false},"author":7,"featured_media":4540,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[17],"tags":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v21.8 - https:\/\/yoast.com\/wordpress\/plugins\/seo\/ -->\n<title>THE NEW YORK TIMES - \u2018The Pink Cloud\u2019 Review: Love in Lockdown - Prana Filmes<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.pranafilmes.com.br\/en\/the-new-york-times-the-pink-cloud-review-love-in-lockdown\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"THE NEW YORK TIMES - \u2018The Pink Cloud\u2019 Review: Love in Lockdown - Prana Filmes\" \/>\n<meta property=\"og:description\" content=\"Iuli Gerbase\u2019s first feature film reflects a funhouse-mirror image of our present lives. 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